tag:blogger.com,1999:blog-335877322024-03-14T05:46:16.720+01:00Les avant-dernières chosesThe Last Things Before the LastUnknownnoreply@blogger.comBlogger831125tag:blogger.com,1999:blog-33587732.post-41271058590992952232023-11-05T22:03:00.001+01:002023-11-05T22:18:45.369+01:00Mimi Parker † 5/11/2022<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/_z2_rY4NGLE?si=OT2HXupQvLlzSmvW" title="YouTube video player" width="420"></iframe>
<br /> </p><p>Especially Me | Low (live @ Colorado College, 2012)</p><p><br />
<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/i6ktijY13Hg?si=mi59i326dIT34WpV" title="YouTube video player" width="420"></iframe></p>
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In Metal | Low :: <i>Things We Lost In The Fire</i> (2001)Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-37013641550282146682023-10-21T11:19:00.000+02:002023-10-21T11:19:18.690+02:00The Night You Left New York | Slow Six feat. Jared Bell<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/N-ulb7QwFeQ" title="YouTube video player" width="420"></iframe>
<br /> </p><p>Montréal, Québec, 2010.</p><p><a href="https://www.youtube.com/@wearepostrock" target="_blank">weareppostrock</a><br /></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-49548164379760685852023-10-02T13:08:00.003+02:002023-10-02T13:14:14.913+02:00Especially Me | Low<p> </p><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/gBtJpVY7NkE?si=vnun3ObTGKDW9cuU" title="YouTube video player" width="420"></iframe>
<br /> <br /><i>C’mon</i>, 2011.</p><p>Alan Sparhawk, Mimi Parker (†), Steve Garrington.</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-12965611616492489612023-04-06T12:07:00.001+02:002023-04-06T12:07:22.802+02:00Fantômas (Selections from) | Amiina (KEXP)<p></p><div class="separator" style="clear: both; text-align: center;"></div><p></p><p></p><p></p><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/-IIuHL_8Olg" title="YouTube video player" width="420"></iframe></p><p>
<br />
Fiskislóð (Reykjavik), Iceland Airwaves 2017.</p><p><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap">Paris • Café • Lady Beltham • Bourreau silencieux • L’Homme noir</span></p><p><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap">Amiina : </span>Maria Huld Markan Sigfúsdóttir • Sólrún Sumarliðadóttir • Magnús Trygvason Eliassen • Guðmundur Vignir Karlsson</p><p>—</p><p><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap">Audio Engineer: Matt Ogaz & Kevin Suggs • Audio Mixer: Matt Ogaz • Cameras: Jim Beckmann, Scott Holpainen, Luke Knecht & Justin Wilmore • Editor: Jim Beckmann</span></p><p><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap"><span class="yt-core-attributed-string--link-inherit-color" color="rgba(6,95,212,1.000)"><a class="yt-core-attributed-string__link yt-core-attributed-string__link--display-type yt-core-attributed-string__link--call-to-action-color" href="https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbXI2US1rWmFCeC00TnZKWHQ2TFlCWmFPSlNId3xBQ3Jtc0trOE5GTTBBMVdTSDF2OExOZEZxRDduUkNpZjRLZUMyVUFHT0lEcTlUTlpPam8tTHZFLW14MFBkWFVzallidFBLb3BQNXBVTkhoRjNLZWNlRDMzUVg4a1N3TTk0N0RsZERsV1d4RkxjX0lrcHk2NjV2Yw&q=http%3A%2F%2Fkexp.org%2F&v=-IIuHL_8Olg" rel="nofollow" tabindex="0" target="_blank">http://kexp.org</a></span><span class="yt-core-attributed-string--link-inherit-color" color="rgba(6,95,212,1.000)"> </span></span></p><p><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap"><span class="yt-core-attributed-string--link-inherit-color" color="rgba(6,95,212,1.000)"><a class="yt-core-attributed-string__link yt-core-attributed-string__link--display-type yt-core-attributed-string__link--call-to-action-color" href="https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbWRaNFJwT3JGZGd0Y09TYWxrdjZUNk0ycHBYd3xBQ3Jtc0ttUjdCaUx1Snp5aGlBNWNIUFlrczl0TmxMY1ZVN1hOQVg0UnZFRnFxTDFJeXFQV0lNSnNIVWFwdXpVU2IydlExN0Z5MnBHMllERWFEODUzTnZHMXdfZVpLQWRlSkhjSkRqNkNVZTU5a3VwWWVHVWpMNA&q=http%3A%2F%2Fwww.amiina.com%2F&v=-IIuHL_8Olg" rel="nofollow" tabindex="0" target="_blank">http://www.amiina.com</a></span></span> <br /></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-15394817853624087452023-03-27T11:04:00.001+02:002023-03-27T11:05:05.024+02:00Dreamt for Light Years in the Belly of a Mountain | Sparklehorse<p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="266" src="https://www.youtube.com/embed/AdXBTWHOGm0" width="320" youtube-src-id="AdXBTWHOGm0"></iframe></div><i> </i><p></p><p><i>Dreamt for Light Years in the Belly of a Mountain</i>, Astralwerks Records, 2006.<br /></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-84460153578872601412021-09-17T13:19:00.000+02:002021-09-17T13:19:01.475+02:00Dalur | Ólafur Arnalds & Brasstríó Mosfellsdals<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/w-8aANPUDR4?rel=0&showinfo=0" width="420"></iframe>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-33587732.post-20579059366036759062021-09-14T11:44:00.003+02:002021-09-14T12:06:35.679+02:00Bible Silver Corner (Rodan) | Gordon Withers<iframe style="border: 0; width: 350px; height: 470px;" src="https://bandcamp.com/EmbeddedPlayer/album=1853936640/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/track=3824247461/transparent=true/" seamless><a href="https://jasonnoblebenefit.bandcamp.com/album/in-pleasant-company-a-mixtape-for-jason">In Pleasant Company: A Mixtape For Jason by Gordon Withers</a></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-53901359129197048032021-06-29T12:01:00.001+02:002021-06-29T12:03:49.729+02:00Young Waters (trad.) | June Tabor
<iframe width="420" height="236" src="https://www.youtube.com/embed/9AGXZV_91g4" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<p><i> </i></p><p><i>Airs and Graces</i>, 1989.<br />
____ <br />
<br />
Oh, about Yule, when the winds blow cold<br />
And the round tables begin<br />
For there is come to our king's court<br />
Many's the well-favoured man.<br />
The queen looked over the castle wall,<br />
Beheld both dale and down,<br />
And there she spied Young Waters<br />
Come a-riding to the town.<br />
His footmen they did run before<br />
And his horsemen rode behind;<br />
A mantle of the burning gold<br />
Did keep him from the wind.<br />
Golden harness'd his horse before<br />
And silver shod behind;<br />
The horse Young Waters rode upon<br />
Was swifter than the wind.<br />
Then up then spoke a wily lord<br />
And unto the queen says he,<br />
“Oh, tell me whose is the fairest face<br />
Rides in the company?”<br />
“Oh, I've seen lord and I've seen laird<br />
And knights of high degree,<br />
But Young Waters is the fairest face<br />
That ever my eyes did see.”<br />
Then up then spoke the jealous king<br />
And an angry man was he,<br />
“Oh, if he had of been twice as fair<br />
You might have accepted me.”<br />
“You're neither lord nor laird,” she says,<br />
“But the king that wears the crown.<br />
And there's not a knight in all of Scotland<br />
But to thee must bow down.”<br />
But for all that she could do nor say<br />
Appeas-ed he would not be,<br />
And for the words that the queen had spoke<br />
Young Waters he must die.<br />
And they have taken Young Waters<br />
And put fetters on his feet,<br />
And they have taken Young Waters<br />
And thrown him in dungeon deep.<br />
“Oft have I ridden through Stirling Town<br />
In the wind both and the wet<br />
But I never rode through Stirling Town<br />
With fetters on my feet.<br />
Oft have I ridden through Stirling Town<br />
In the wind both and the rain<br />
But I never rode through Stirling Town<br />
Never to return again.”<br />
Oh, they have taken to the heading hill<br />
His young son in his cradle,<br />
And they have taken to the heading hill<br />
His horse both and his saddle.<br />
And they have taken to the heading hill<br />
His lady fair to see,<br />
And for the words that the queen had spoke<br />
Young Waters he did die.</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-54848576446367862262019-09-22T20:06:00.000+02:002019-09-22T20:08:31.241+02:00Le Rosaire des voluptés épineuses | Stanislas Rodanski<br />
<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/WX2eDm0bSU8" width="420"></iframe><br />
<br />
Mise en scène de Georges Lavaudant<br />
Avec Louis Beyler, Elodie Buisson, Frédéric Borie, Clovis Fouin, Frédéric Roudier<br />
Création 2016<br />
<br />
<iframe allowfullscreen="" height="236" src="https://www.theatre-video.net/embed/vf6veWoS" width="420"></iframe>
<br />
© Célestins, Théâtre de Lyon 2018
Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-33587732.post-91365650450212630512019-02-03T22:32:00.001+01:002019-02-03T22:32:32.090+01:00No Surprises (Radiohead) | Sílvia Pérez Cruz & Marco Mezquida<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/78zVPIuBQE4" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-14050812845299844302019-01-03T16:15:00.005+01:002019-01-03T16:15:48.171+01:00One | Raoul Vignal<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/6sIBGZwEO2U" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-34963912943854204582018-12-01T13:06:00.001+01:002018-12-01T13:26:37.341+01:00Patrick Mathé (1949-2018)<b>Entretien avec Patrick Mathé</b><br />
19 aaût 2016<br />
<br />
Rencontres autour de l’édition phonographique, BnF, département de l'audiovisuel, Gallica<br />
> <a href="https://gallica.bnf.fr/html/und/enregistrements-sonores/rencontres-autour-de-ledition-phonographique" target="_blank">Lien</a><br />
<br />
<div style="display: block;">
<iframe src="https://gallica.bnf.fr/ark:/12148/bpt6k1080847j/f1.media.mini.auto=02" style="border: 0; height: 236.25px; width: 420px;"></iframe></div>
<br />
<div class="rtejustify">
<b>Patrick Mathé</b> est né en 1949 à Moulins dans l’Allier. En 1963, il part rejoindre son père a Paris et découvre notamment via <i><span class="render_italic">Salut les copains</span></i> les musiques qui allaient changer sa vie.<br />
Après des études à L’École des hautes études commerciales de Paris, il intègre à 23 ans <b>RCA-France</b>
comme chef des ventes. A son retour du service militaire, il saisit
l’opportunité qui lui est offerte par RCA de deux ans de salaires en
échange de son départ, pour fonder avec un partenaire une chaîne de
magasins de disques : <b>Sirènes</b>. Quatre magasins sont
ouverts, mais cette première expérience tourne court et il quitte la
chaîne fin 1976 - début 1977 pour prendre la direction du magasin de
Paris, <b>Music box</b>. Porté par l’effervescence de nouveaux courants musicaux (<b>New wave</b> et <b>Punk</b>), l’exemple des labels indépendants et disquaires londoniens, cette première expérience de vente et de label (<b>Flamingo</b>) est un succès. </div>
En mars 1980, avec son associé <b>Louis Thévenon</b>, ils ouvrent rue Pierre Sarasin, dans le 6ème arrondissement de Paris, le <b>magasin New rose</b>,
qui, très rapidement, devient une plaque tournante du rock français
alternatif et attire dès son ouverture un public important. Quelques
mois plus tard, une première référence discographique est éditée sur le <b>label New rose</b> : <i>Paralytic Tonight, Dublin Tomorrow</i>
de The Saints. Plus de 800 disques seront publiés par New rose de 1980 à
1995, rééditions et nouveautés, révélant ou confortant le Gun club,
Johnny Thunders, The Cramps, Bo Diddley, Elliott Murphy, Calvin Russell,
les Bérurier noir ou les Souris déglinguées. <br />
En
parallèle, New rose développe un réseau de distribution très dynamique
s’appuyant, entre autre, sur les nombreux disquaires existants alors. En
1992, Patrick Mathé vend le catalogue New rose à la FNAC mais demeure
directeur général adjoint du label.<br />
La réception d’une cassette du <b>Lama Gyourmé</b> et Jean-Philippe Rykiel envoyée par Fabien Ouaki, président du groupe Tati, l’encourage à lancer un nouveau label fin 1994 : <b>Last Call</b>. Ce premier disque, <i><span class="render_italic">Songs Of Awakening</span></i>,
totalise aujourd’hui 400 000 références vendues. Patrick Mathé rachète
une part importante du catalogue New rose, rééditant ainsi sur Last call
certaines de ces anciennes références. Il continue à suivre certains
artistes (Elliott Murphy, Calvin Russell…) et en publie de nouveaux
(Gary Lucas, The Silencers, Screamin' Jay Hawkins). Il s’intéresse
également aux musiques du monde, notamment à Soledad Bravo et Angel
Parra.<br />
[Source : Gallica]<br />
<br />
Sur<a href="http://www.limbos.org/newrose/newrose.htm" target="_blank"> </a><a href="https://www.blogger.com/null" target="_blank">New Rose</a>. Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-77173891189580043032018-11-03T13:24:00.002+01:002018-11-03T13:26:30.608+01:00Hardy Fox (1945-2018)<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/hr8QmwJYK2A" width="420"></iframe><br />
<br />
Going Once Going TwiceUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-64754356962014097512018-10-30T15:52:00.001+01:002018-10-30T15:53:57.860+01:00Silva Caledonia | Gavin Bryars (Ludus Gravis Ensemble)<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/Cq3CD4YIGdY" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-9233926300586736912018-02-11T11:30:00.002+01:002018-02-11T11:30:50.361+01:00Land of My Dreams | Anna Domino<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/KFj9_24-R0w?rel=0" width="420"></iframe><br />
<br />
<i>End of Night</i>, Keith McNally, 1990 (0:41).Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-91356505557518779802018-02-02T23:26:00.000+01:002018-02-02T23:30:14.017+01:00Faraway Castle | Rae Howell<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/zYAyUK8WWC4" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-56914001291677961062017-09-19T14:45:00.002+02:002017-09-19T14:45:56.479+02:00Through the Sparkle | Astrïd & Rachel Grimes<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1808973990/size=large/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 757px; width: 420px;"><a href="http://gizehrecords.bandcamp.com/album/through-the-sparkle">Through the Sparkle by Astrïd & Rachel Grimes</a></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-86781059643204618382017-06-12T16:49:00.000+02:002019-01-03T16:17:20.637+01:00In the Dark Places | PJ Harvey (Sydney Festival/Moshcam, 2012)<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/8no4Df82SGo?rel=0&showinfo=0" width="420"></iframe><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-14135470003598639772017-05-26T14:47:00.000+02:002017-05-26T14:47:14.810+02:00Jeg er din mand | Under Byen (2004)<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/53l6BPXshSs?rel=0&showinfo=0" width="420"></iframe><br />
<br />
<i>I’m Your Man</i> (Leonard Cohen)Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-19945128741783996822017-05-19T14:41:00.000+02:002017-05-19T14:41:00.045+02:00The Girl Chewing Gum (John Smith, 1976)<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/57hJn-nkKSA?rel=0&showinfo=0" width="420"></iframe><br />
<br />
« Dans <i>The Girl Chewing Gum</i>, une voix autoritaire semble diriger l’action d’une rue animée de Londres. Alors que les instructions deviennent de plus en plus absurdes et fantaisistes, nous prenons conscience que le metteur en scène supposé (pas celui de la séquence) est fictif ; il ne fait que décrire ; il ne prescrit pas les événements qui se déroulent devant lui. Smith investit le spectre de la narration (proscrit par le film structurel) pour faire rebondir les mots face aux images, le hasard face à l’ordre. Précis et direct, ce film préfigure les scénarios plus élaborés, plein d’humour, aux niveaux multiples, drolatiques mais aussi sérieusement et poétiquement hantés par le fantôme indéracinable de la dramaturgie. »<br />
<b>A.L. Rees, <i>A Directory of British Film and Video Artists</i>, 1995.
</b>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-33587732.post-54186409571110093112017-05-17T17:46:00.001+02:002017-05-17T17:46:09.128+02:00Fade Into You | Mazzy Star (Shoreline Amphitheatre, 1994)<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/2FdP0eS47ts?rel=0&showinfo=0" width="420"></iframe><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-24887954237554094772017-05-17T17:41:00.000+02:002017-05-17T17:41:10.108+02:00Fade Into You (Mazzy Star) | Ben Harper (Santa Barbara, 15/11/2013)<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/mFTkIsdMD08?rel=0&showinfo=0" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-47070149332367954092017-05-17T17:17:00.002+02:002017-05-17T17:18:30.561+02:00Fade Into You (Mazzy Star) | Au revoir Simone (KEXP, 17/10/2013)<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/kidnSUpOtlA?rel=0&showinfo=0" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-23665315542705154022017-03-29T19:38:00.001+02:002017-03-29T19:38:22.192+02:00Blindlessness | Bonnie ‘Prince’ Billy<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/AWkmQRLUDh8?rel=0" width="420"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-33587732.post-19544773565868845602017-02-02T16:20:00.001+01:002017-02-02T16:20:58.335+01:00Sisyphus | Tired Tape Machine<iframe allowfullscreen="" frameborder="0" height="236" src="https://www.youtube.com/embed/5yjK4Qflg3g?rel=0" width="420"></iframe><br />Unknownnoreply@blogger.com0